Personally I’m not a big car guy. I’ve always liked the look of classic cars and high end sports cars but I’ve never been all that knowledgeable about them. I don’t know the details or really even the names of this or that type of car, but I have always liked the look of the older and more unique cars.
Artists can draw: a quick story
Recently I was asked to paint a classic car; a Camaro SS. I don’t draw or paint a lot of vehicles. It’s not as if I don’t like drawing them or that I’m not good at drawing them but rather I haven’t had the need to.
In a related way I’d like to share a recent story of how sometimes people will ask “do you have an example of a drawing of this particular thing” and if you say no then they will assume it’s because you can’t draw it. Recently, someone posted in an online artist group that they were looking for someone to do an architectural drawing for them and specifically it was going to be a water tower. Artists chimed in saying they were interested and many posted samples of architectural drawings except no one had a specific drawing of a water tower. As no one had previously drawn that specific item, another art collector posted that no one would get the job because they didn’t post an example of that specific object.
The odds of someone ever finding an artist who has previously drawn a very specific thing they are looking for is slim. If you limit your search to only those that have previously drawn that specific thing, then you’re needlessly limiting yourself in who you could hire or commission. If an artist says they’ve drawn something in that realm or they’re comfortable drawing whatever it is that your looking for, then odds are they’ll do more than just fine drawing whatever that specific thing is that you’re looking for. Look to the artist’s style. If you like their work then odds are that you’ll like whatever else they draw.
Much of the artwork that an artist posts online is a product of what they’ve been previously commissioned to do and not a reflection of what they’re actually able to draw. In my case, much of the artwork I post consists of Star Wars and baseball sketch cards. I can draw a lot of other stuff and I’d be happy to do so but the majority of what I’m asked to draw is Star Wars or baseball portrait sketch cards. If you like the Camaro painting I posted here then odds are you’ll also like a painting I do of a space shuttle or whatever else you might have in mind for me to draw! 🙂
The Camaro painting
I was provided a photo of the car and in the painting I deleted the background and replaced it with a fairly simple geometric design. I used a mix of Copic markers, designer gouache, and pencil crayons on a strathmore bristol board (600 series I believe).
The painting measured 11×17″, which is about as large as I go for any of my illustrations and paintings. It’s definitely a liberating feeling to work at this size as opposed to my usual 2.5×3.5″ sketch card size!
Please contact me through the form below if you’d like to commission a drawing like this from me.
I had an idea of incorporating an autographed trading card into one of my paintings. I’ve seen collectors do something similar before, where they removed a sticker autograph from one trading card and placed it on a card they printed which features a different character that actor portrayed. I’ve also seen collectors use larger photos of a character, let’s say Obi-Wan Kenobi, but used an autograph from the actor who passed away, like Alec Guinness, and placed the full size autograph underneath the new photo and have a small window cut out in the new photo to show the autograph. I loved this idea as it elevates an autographed trading card, allows for someone to have an autographed image that otherwise would not be available, and it creates something very unique for someone’s collection!
My idea, riffing off what I had previously seen, was to create an original painting of someone who doesn’t currently or rarely has a licensed autograph of a particular character they’ve portrayed. As a big fan of the Mandalorian TV show, I realized that the actor who played Axe Woves doesn’t have an official Star Wars autograph but has previously signed James Bond trading cards as he was in Quantum of Solace.
The painting is 4×6″ and I used Copic markers, polychromous pencil crayons, acryla gouache, and designer gouache. The main portrait and the smaller figure in the top two-thirds of the image were painted with designer gouache and the background with the portion of Woves’ Mandalorian helmet was done in acryla gouache. I chose acryla for that background because it has deeper and darker colours that helped set it apart from the portrait painting. I also used the acryla on the Mandalorian logo, again because the paint’s blacks are darker than anything else I could achieve with the other mediums. The painting was then coated in a gouache varnish that prevents it from scratching or fading.
I cut out a small window to show the autograph but was careful so as only the autograph from the card would be showing. I hand wrote the actor’s name and character’s name below the window, which I think looks pretty good but will likely do it differently in future paintings.
I attached my COA sticker, which I signed, on the back of the painting. The autographed card is in a penny sleeve to give it some protection, but also as a means to attach it to the painting without damaging the trading card as I placed my COA sticker on top of it, securing the autograph to the painting and making sure it won’t move around. It’s not shown in the photo but I also used some masking tape to further secure the trading card.
Add it to your star wars collection!
The painting and signed card all fit nicely into a 4×6″ plastic top loader, making it look a little bit like an oversized trading card. As is, this painting can sit nicely on any display shelf or be taken out and framed. If you’d like to add this to your collection ($200US) please contact me through the form below to see if it is still available or to ask about commissioning something similar!
Making sketch cards is possibly far more complicated than you might think. You might assume from looking at one that it’s a simple task of just sitting down and sketching out an image, but it’s far more than just that.
What are sketch cards?
What are sketch cards is a question I went into answering in a previous blog post (read it here). I looked at the different types of sketch cards and a bit of the history of sketch cards, but not so much on the how sketch cards are made.
Here, I look at the “how” of sketch cards in two parts. One is the logistics. This is everything that occurs right up to the point of actually drawing on the paper. Second is the actual act of making the artwork. This may seem self explanatory but I would argue that sketch cards have become their own form of art with their own challenges.
The logistics of creating sketch cards, when dealing with licensed sketch cards for trading card companies begins with finding the work. Don’t go asking me for contact information from companies and instead put your work online and google companies that make trading cards. Doing the legwork yourself will take you much farther! As for putting work online, companies do search out artists on Instagram, Twitter, websites /blogs, and Deviant Art. Getting noticed or an email replied to may take months or even years, but the biggest thing to remember is to continue doing what you’re doing. If you don’t hear back from a company after a few months there is no harm in emailing them back with samples of more recent drawings, and of course post artwork online on a regular basis of 3-7 times or more a week. If you become frustrated, seek out artists like myself who’ve worked on trading card projects to ask for feedback on your artwork and advice on what you could be doing differently.
When creating work that you want to use for submissions to companies or to get noticed online, research your audience first. Look at what licenses the companies hold and what previous artists have done. The work other artists have done is stuff that’s been approved by the publisher and license holder which gives you an idea of the quality and style a trading card company would be looking for. Second, if you want to work for Upper-Deck let’s say, then look at what properties they have and create artwork based off those properties (Marvel, James Bond, hockey, etc.). Also, make sure that the artwork you are creating is on sketch cards, as again what you want to show them needs to be similar to what they would have you create for them. It makes no sense for you to make large 11×17″ pencil drawings of the Smurfs if you want to create sketch cards of Marvel comics characters that are painted in full colour.
So a company has contacted you to create sketch cards for one of their upcoming trading card sets. That’s awesome but now what? First, you’re told what the deadline is, parameters of the project, and are asked how many drawings you’d like to contribute to the project. Answer all of those questions and the company will mail you the cards that you draw on.
Once you get the cards in hand, begin looking up reference materials to draw from. If it’s a comic book based project, then I suggest writing out a list of characters you would like to draw and then googling what they look like; you have to make sure you get the costumes right! If it’s a property based on a movie or TV show, then you’ll have to google images from that property. Star Wars is always easy because you can start right away by drawing ships and storm troopers without needing much if any reference. For portraits and scenes, that can be trickier and websites with loads of screencaps is super useful.
Positioning the art
You’ve got your reference images or list ready, the invite and contract signed, and now you’ve got the sketch cards in front of you awaiting to be painted or drawn on, but now what?
You need to think about how you’ll be drawing these cards. I recommend thinking about how best to utilize the tiny space for a drawing. When doing portraits /headshots of characters, plan where to place the head in a way that it won’t intersect with the logo on the card. Second, make sure the face is centered or near centered on the card. It looks weird when this isn’t done on a sketch card and is best to break this rule only when it adds to the piece like when drawing a villain or some other shady character as placing the head close to the edge of the card adds tension to the image.
When drawing something more complex than a portrait like a full scene or sports athlete who has a complex logo or lettering on their jersey, decide if you want to try to capture all of the detail or not. I’ll often omit some of the detail as I find it actually provides better clarity to the image. Too much detail is often lost in a small drawing like a sketch card and frequently the image just becomes muddled. This is one of the aspects of drawing on sketch cards that I find lends itself to being considered its own artform.
When drawing something more complex you also need to consider whether you want to draw it in a landscape or vertical orientation and how to rejig the scene to fit the card’s dimensions. Some artists only draw an image on a card in the same orientation as how the logo is placed on the card. Personally, I’m not bothered by this and am more concerned with how best to depict what I am drawing. Once I’ve decided on the orientation, if there’s multiple people or objects in a drawing, I’ll decide if I need to move things around to better fit the space. Sometimes I’ll also redraw an arm or the position of a head, or other objects, to best fit the card space.
Steps to drawing a sketch card
Not all artists work the same. Through experience you’ll find what works best for you but I do have a particular method of creating sketch cards that I find is efficient and allows me to produce the best art I can. Also, creating artwork for trading card companies is done so within a set timeframe, so you don’t have months or years to finish something and the quicker you finish a project the better.
I begin every drawing by pencilling it out. After pencilling out the drawing I’ll use any number of mediums that are chosen based on what I feel like using, what works best on the paper stock of the card, what works best for the type of drawing I’m doing, or what I’ve been requested to do by my art director. As for paper stock, no company nore project uses the same type of paper. Not all of the paper is great for drawing on either, so having some skill in a variety of art mediums will help you as a trading card artist!
If I’m doing comic book based artwork I often ink my drawing after pencilling them, and then go over that with Copic markers. I pencil all of my cards first (and this goes for any medium I’m using), and then ink all of them. This assembly line method is used by other artists and greatly speeds up the project. After letting the cards dry for a day or so, I go over them with Copic markers and then use either white acrylic or white pencil crayons for highlights. I’ll sometimes use pencil crayons or limited amounts of gouache if I want to render the drawing even further.
If I want a softer feel to the drawings, such as in portraits, I’ll often use Copics directly over the pencils and then pencil crayons overtop of that. The markers give the pencil crayons a base colour to work over, allowing me to focus more on smoothing out the colours and adding definition where it’s needed, like around the eyes.
Unlike inking or using markers, if I’m going to paint the cards with acrylic or gouache, I won’t spend a lot of time pencilling. Often the pencil sketch is very loose and is really just used to block out the shapes and proportions of a face. This is because the paint will fully cover the pencil lines and there’s no point in wasting time making a beautiful pencil drawing only for it to be fully obscured by the paint.
Using paint is one of the most time consuming methods of creating a sketch card. I reserve it mainly for a select handful of cards I do, if it’s an image I love like of Princess Leia (always gotta give your best to the Princess!), if I have a substantial amount of time for a project, if the cards might be reproduced (like in MLB Museum Collection), or if the paper quality is very high. Some artists will do all of their cards in paint and spend 3-4 hours per painting, but I fall somewhere in the 45 minutes to 1.5 hours per card so painting isn’t an option for every project and every card.
Finished the drawings & now what?
Once you’ve finished drawing all of your cards you sign the backs. This might seem like such a small detail but make sure your name is legible. If it isn’t legible, take the time to print your name. Collectors are constantly posting online about how they have no idea who created this or that card. It frustrates the collectors and sometimes the companies themselves. It also won’t help you getting connected to collectors who like your work and might want to commission you for more!
A final step that I highly recommend is to seal your artwork. It really only takes a minute and then you let it dry for a day, but it is absolutely worth it. Sealing your artwork with a spray will prevent your artwork from smudging during the process of it being packed in the trading card packages. It can also protect it from fading from UV light when collectors display it, and somet sprays have a matte or gloss finishes that will make the art look even better! Also, if using paint like gouache or acrylic, you absolutely have to seal it with something or it will scratch, rub off, or become sticky.
Once the cards have dried from sealing them, take a GOOD scan of your cards. Too many artists work on sets and then after the project releases they maybe have one or two photos of the artwork they did on their phones. This artwork can be used online for advertising and put in your portfolios. Use that work to get more work! Also, some companies will request you send them scans of the cards you worked on, so make sure it’s at least a high quality one you’ll want to use later on (300 DPI is usually good enough).
Once the sealer has dried, the scans have been taken, the cards are then packaged up and sent back to the publisher /company. Once there, images of the sketch cards are sent to the licence holder for their approval and then packaged in the set, being inserted into the packs whereby collectors will find them! Depending on the company, your artist proofs will either have been kept by the artist or sent to the company where depending on if they’re approved, will be sent back to the artist at the time of the product being released to the public for sale. Either way, the artist hangs on to their artist proofs until the set hits store shelves and can then try to sell them. Payment for the project also doesn’t come sometimes until the project hits shelves.
After the work is done
What do you do after you finish the project? First thing to do is advertise what you did and try to sell your artist proofs. I create digital information cards that have my artwork on them. I include my name and contact information alongside an image of the sketch card I drew in the hopes people will contact me about commissions or to purchase an artist proof. For selling artist proofs I use various Facebook pages, posting on Instagram and Twitter, and listing them on Ebay. I also use an enewsletter, which you can sign up for here on my website!
With the scans you took of the sketch cards, include them in your portfolio and email it to the companies that haven’t hired you for projects before. Also, email the company you just worked for when that project releases to thank them for bringing you on board the project and inquire about future projects. So much of it is about constant communication and polite nagging!
Let me know what you think!
Let me know if you have any questions or think I missed something on the story of how sketch cards are made for card companies. If what I wrote helps you or someone you know break into making artwork for trading card companies, and you you’ve enjoyed other posts I’ve written on my website I’d appreciate a small donation to help keep my website up and running! I’m a trading card artist myself so an extra couple of bucks would go a long ways!
I’ve been creating acrylic paintings on 2×2″ canvases for a little while now. Often I create these when I have some leftover paint from a project or just some time between projects. They’re a great way to practice painting, and because they’re roughly 1/2″ deep with a wooden frame, I can attach a magnet to the backside so they can hang from the refrigerator door.
I make these to sell but also for fun, so the subject matter is usually just fun stuff that I like. I’ve been slowly working my way through iconic looking comicbook, cartoon and Star Wars characters. It’s only the face of the characters, so I try to choose only iconic looking characters like Wolverine or Batman, but I have done a few stylized portraits like that of Stan Lee.
If you’re interested in buying one of these they’re $65 each or $100 for two, including shipping.
It’s been awhile since I’ve had the opportunity to post anything on my website! Last year I was incredibly busy with numerous trading card projects, along with a book cover and a few other projects that will hopefully be released later this year!
Every so often between the licensed card sets I also create sketch cards for charity raffles or for artist exchanges. More and more lately I’ve begun steering away from non-licensed sketch card commissions as I feel I spend enough time as it is drawing on these tiny pieces of paper for the trading card sets, so when a commission pops up I opt to draw on bigger pieces of paper. However, there have been a few charity raffles where I offered a custom sketch card created on plain paper. There are also a number of artists who like to exchange sketch card artwork; these sketch cards are drawn on plain paper that is the size of a sketch card, 2.5×3.5″.
The Princess Leia sketch card shown here was from a charity raffle last year, the Princess Leia in her Boushh disguise from Return of the Jedi was from a sketch card exchange, and the TMNT, Walter White & Bruce Lee sketch cards were all from a raffle I was invited to on Blowout Cards Forum. That last set of raffle sketch cards was held by a few collectors who commissioned sketch cards from a few artists and then they held a raffle for them.
I’ve been creating sketch cards for licensed trading card companies for over four years now. I’ve been creating sketch cards for fun and commissions for much longer than that. However, even though I’ve been drawing and collecting trading cards since I was a kid in the 80s, and despite sketch cards existing since sometime in the 90s and being picked up by trading card companies in the early 2000s, I only discovered them in the late 2000s.
Many people that I’ve met online or at conventions do not know what sketch cards are. That group of people, who are the collectors of art, comic, and everything else geeky, often really like sketch cards once they find out about them. I think the appeal is found in the wide range of subject matter, the oftentimes affordability, and that their unusually small size allows people to easily build a collection of them without sacrificing a room in your house to store them in.
What are Sketch Cards?
A sketch card is a surface that measures 2.5″x3.5”* and is used to create an original, one-of-a-kind piece of art upon.
I purposefully tried to make that definition as broad as possible as really the defining features of a sketch card is its size and its originality; however, size receives an Asterix as explained later. Some artists and collectors may disagree with me, but to me these are the defining characteristic and then you can have a multitude of sub categories after that. For instance, painted or penciled or licensed or personal sketch cards.
There are no restrictions on what medium or style can be used to create a sketch card, much like how there is also no restriction on what material the sketch card is made out of. One trading card company, Upper-Deck, has recently been making some of their sketch cards on sheets of chrome and acetate! I have seen artists use paper collages, spray paint stencils, oil paints, acrylics, and simple 2b graphite pencils to create sketch cards. These aspects of sketch cards seem limitless, like any other arena within the art world!
Origin of Sketch Cards
I may not be entirely correct, but it is my understanding that sketch cards began as ACEO’s, or Artist Cards, Editions and Originals. These were traded between fellow artists and given out to non-artists as a form of exposure. There was a strong emphasis on them not being sold, but rather an exercise in free art. ACEO’s are still common, and are still commonly freely traded, but ever since their inclusion in packs of trading cards, their
Sketch Cards and Trading Card Companies
In 1993 the first trading card product included sketch cards. These ‘Art De Bart’ cards were rare, chase cards with only 400 produced. These cards were all drawn by the show’s creator Matt Groening, but in subsequent trading card sets a variety of artists would be used. It was a mixed bag on who the artists were too. Some were experienced published professionals and some were people working on their first paid art project. This definitely produced cards of wildly differing levels of quality, but it also allowed for collectors to obtain artwork from rising stars and for said rising star artists to obtain a modicum of experience.
Throughout the 90s and exploding in the 2000s, sketch cards began appearing in numerous non-sports trading card sets. Sets based on movies and cartoons used the sketch cards as an incentive or chase in the product. Oftentimes the sketch card would be exceedingly rare even if there were tons created. What I mean by that is that thousands of sketch cards would be created but 10 or 100 times that many boxes of cards would be produced.
The sketch cards created right up to the late 2000’s were largely simple and quick sketches done on paper trading cards. In some cases, artists were tasked to draw 1000 or more sketch cards for one project. There was no way an artist can do more than simple pencil sketches when such quantities are so high! Sometime around 2010 this all changed and sketch cards gradually became more and more detailed. Some artists were using oils, some water colours, and some markers. Bottom line though, is that sketch cards were often being done in colour and to a higher degree of detail and quality.
Trading card companies in the late 2000’s also started changing sketch cards by altering their sizes and materials. Some companies introduced Box Topper Sketch Cards that were 2, 3 or 4 times the size of a normal sketch card. Booklet sketch cards were also being introduced, where multiple regular sketch cards were attached in a way that they could be folded on top of one another to fit into a pack of cards. Different materials like plastics and metals were also introduced. The moral of the story is that not only have the artists continually changed in what they were producing but the companies also changed the types of sketch cards, ultimately enlarging the original definition of what a sketch card is.
What’s in it for the Sketch Card Artist?
Fame and glory is not something a sketch card artist receives. Every so often a sketch card artist might obtain an opportunity they wouldn’t otherwise have had. An example is of an artist I saw online who created sketch cards for a project was then invited by the company that owns the license to the property he was working on to then illustrate a poster for that company. That is absolutely the exception. More often, sketch card artists work on these projects for a little bit of exposure with people who may commission them for more work, to say they worked on a licensed product and to build up their portfolios.
Sketch card artists are paid for their work but it isn’t exactly life changing bags of cash. Instead, a small handful of sketch cards are provided back to the artist that they can resell. These are called either Artist Returns or Artist Proofs, frequently listed as just AR or AP’s. The images the artist draws on these cards are all licensed by that franchise like Star Wars or Marvel Comics. The artists receive only a small number of AP’s in comparison to the number of cards the produced for the project; often the ratio is 1:10.
Some companies create their artist returns differently. Topps (one of my artist returns is pictured above), does not make their artist returns look any different from the regular sketch cards. Sometimes an artist (like myself) will write AP or Artist Return on the back of the card, but otherwise it will be indistinguishable from what one can pull from a pack of cards. Some companies, like Upper-Deck will stamp their Artist Proofs with an AP on the front (see below) and other companies like Cryptozoic have stickers for the back of the cards that say AP.
Sometimes particular types of cards will not be offered as a return at all. This is common with the more unusual sketch cards such as booklets.
Check out some of the sketch card projects I’ve worked on:
I love SEO and I’ve greatly enjoyed analyzing Google Analytics. I’ve completed courses on website SEO, but until just recently I had never taken the Google Analytics course that Google itself offers.
After completing the online course I received a certificate for the Beginner and Advanced courses I took. I’m thinking next month, in June, I’ll take some of the Facebook marketing courses they offer and perhaps some more SEO courses from other websites. Never stop learning!